It's really interesting: Within the year, three critically acclaimed movies have arrived in theaters, all of them directly dealing with unwanted pregnancies. These three are "Juno," "Knocked Up," and "4 Months, 3 Weeks, and 2 days," a Romanian film set in Cold War Romania. Of course, the theme of unwanted pregnancy logically leads to the abortion question, and all three films have something to say about this, too.
"Knocked Up," the summer comedy smash, is probably the most squeamish in its treatment of abortion. In a movie about unwanted pregnancy it's strange that abortion receives mention only a few times and mostly in a disguised form (Shmashmortion). For Katherine Heigl's character, abortion is simply not an option, even when her mother (a representative, perhaps, of the old guard women's lib type) discreetly suggests it. Some will say, "If there were an abortion, there would be no movie." Yes, that's true, but a young career gal accidentally impregnated during a night of carousing needs to have a solid reason for not wanting one. By "solid reason" I mean no more than a strong desire to have children, religious or moral scruple, etc., none of which appear in the movie. My objection, in short, is not that Heigl's character ultimately doesn't get an abortion; it is that she never even considers getting one, and we are left with no answers as to why she wouldn't. This constitutes a weakness in the film in the sense that it shows her character lacks motivation for a decision crucial to the plot. But there's something more: Since no motives particular to her character are given for her not getting an abortion, we can only conclude that for women of her age and class abortion is simply indefensible, or at least not a possibility, in the movie's opinion.
"Juno" addresses abortion more directly. Juno actually goes to an abortion clinic immediately
after discovering she is pregnant. There she encounters two obstacles: A classmate picketing outside and a rather nonchalant receptionist within. The first makes her pause, but does not break her determination to go through with the procedure. I believe the viewer is supposed to see that the second obstacle finally dissuades her from it. The choice of making the staff of the clinic callously off-the-cuff was an interesting one. And her picketing friend doesn't fail to move her: Juno repeats throughout the movie what she told her, that the baby already has fingernails. Some people I know also questioned whether it was credible that Juno could feel no strong attachment to her baby; she seems to have no problem handing it over to Jennifer Garner's character. This, with the gooey love story involving Bleeker and Juno on top, makes for a somewhat disingenuous view of teen pregnancy, I would say. In the end, Juno grows emotionally, gets the guy, we're all happy.
"4 Months, 3 Weeks, and 2 Days" presents by far the bleakest picture of unwanted pregnancy; it is many light years removed from either "Juno" or "Knocked Up." Of course, the movie begins with a different premise than the first two. In "Juno" and "Knocked Up," the kind of lifestyle change pregnancy implies is a possibility for the two women. Their lives are sufficiently comfortable: They have a lot of support from family and friends and their communities can support and even nurture such a change. Even though in "Juno" keeping the baby is not considered for long, Juno has no trouble finding others who will care for it. In "4 Months" this kind of community is absent. Our protagonists (the pregnant woman and her friend) can't rely on family support. They are poor students. There are no free clinics and no one wants to take care of a child. Everything, from food to a hotel room, is a struggle to obtain. Every male seems aware of their helplessness and seeks to exploit it. It goes without saying that this is the sort of community in which unwanted pregnancies most frequently occur. As a result of these conditions, the girls are forced to break the law (abortion was illegal in Ceausescu's Romania) and find an abortionist. They find a monstrous man who is aware of their desperation and takes advantage of it to the hilt.
All in all, "4 Months" is a movie willing to explore both sides of the abortion issue. On the one hand, there's everything I've said about the failure of the community. On the other hand, the aborted fetus appears on camera, quite recognizably and terrifyingly human, and the horror of the fetus's back-alley burial isn't whitewashed. But I think we are supposed to ask: Is this the failure of the individuals involved, or of the community? I would say the movie comes down on the latter side.
Three movies, three distinct viewpoints. I'm interested in what "Juno" and "Knocked Up" say about our culture. Both seem to have tapped into the zeitgeist in a certain sense, judging by their extreme popularity and the moutains of commentary they've generated (including this). "4 Months" is just an artistic triumph and a welcome counterweight to the sunniness of the first two, at least for me.
